Pages

9/30/13

Britney Spears by David LaChapelle


Brintey's back with new music, 'Work Bitch' is ok but nothing groundbreaking, but looking back at how and when she started, and seeing how now pop stars like Miley Cyrus do practically anything to be shocking and raunchy, maybe they should take notes at Miss Spears at the beginning of her career. 

It only took her to make this then scandalous photoshoot with David LaChapelle back in 1999 to change her image from a good, innocent sweetheart to sexy young girl, and this shoot wasn't that revealing after all. She didn't need to twerk or do anything with her tongue, she just posed in her underwear at home and that's pretty much it. Maybe times have changed and now we've seen everything, but i personally think that the Miley thing is going too far and it makes little sense. Anyway, below you can listen to Britney's new single and after the cut there's the rest of the LaChapelle photoshoot, with a bonus Brit's little sister Jamie Lynn dressed up as Madonna, so iconic.


9/25/13

"The suspects wore Louboutins", a 'The Bling Ring' review.

(Kinda spoilery)
It's no secret at all that i'm a Sofia Coppola lover/fan/admirer whatever you want to call it. But anything she does interests me. So whenever she has a new movie coming out i get anxious which can backfire because high expectations usually lead to disappointment. And with 'The Bling Ring' this has happened in a way but not quite.

I already knew the whole story beforehand, i watched 'Pretty Wild', the reality show on which Emma Watson's and Taissa Farmiga's characters are based, and the whole trial was on the news, so there was little left to the story that surprised me. Just like with 'Marie Antoinette', 'The Bling Ring' starts really good, you get to see the gang hanging out at Paris Hilton's house and take a peek inside the heir's mansion, but soon after the excitement of the breaking in fades, the rythm of the movie takes a slower tune. Which may be totally intentional because for the characters, there's no adrenaline rush anymore in getting into celebs' homes and it gets boring and slow for the viewer, which happens with 'Marie Antoinette' as well. That's the main problem i think 'The Bling Ring' has, that it doesn't work as a movie as a whole, it's not full circle as 'Lost in Translation' was.

But I understand why Coppola would have an interest on making a movie about this group of teenagers; this gang did what they did just because they could, these kids came from well-off families, it's not like they couldn't afford some designer items, but they were fascinated by celebrities at that time, and just wanted to feel like them. This was the time were Paris Hilton, Nicole Richie and Mischa Barton were everywhere with their street-style looks, Lindsay Lohan was making headlines for her multiple DUIs and she even glamourised her looks when going to court. And these teens were totally obsessed with that.

Image and video hosting by TinyPic
"I think we just wanted to be part of the lifestyle. The lifestyle that everybody kinda wants."

They just wanted to feel like celebrities and even when they were arrested for burglary, they loved the media attention and the paparazzi chasing them everywhere, because in a way, they were part of that now. Even Taissa Farmiga's character Sam complains about not being arrested and therefore not on the spotlight like the rest. They have a twisted vision for everything in their lives and for Marc and Rebecca, the two main characters and the ring leaders, the ultimate betrayal would be to rob one another, which is exactly what they're doing to those celebs and why they became friends in the first place.

Image and video hosting by TinyPic Image and video hosting by TinyPic

Also, it's easy to see similarities between Harmony Korine's 'Spring Breakers' and Sofia Coppola's 'The Bling Ring', as both groups of gangs have this sick version of reality and have grown up wanting to be famous, blinded by their unrealistic wishes for adventure, for living life to the fullest, like celebrities, like those rappers they watched on MTV. Both depict today's youth as media obsessed, youngsters who ony care about partying and getting the coolest things, designer clothes, guns, fast cars, getting high, driving drunk, shirts in all colours, the American dream.

Image and video hosting by TinyPic

I can say that i liked this movie, it's better than 'Somewhere' in my opinion, and while i hated the ending scene with Nikki, Watson's character on the talk show – it would have ended so much better with Marc's  previous scene going into jail – the rest is fine. It lacks all those pretty images Sofia Coppola usually has on her movies (with some exceptions, like the Katie Chang scene below), and the music is always on point (Sofia knows how to create all those music moments we have in life), but overall and despite getting a bit bored towards the end, the movie is fine. I understand people hating it as well as people loving it, so watch it and decide for yourselves.

After the cut i posted some (spoilery) stills i loved from the movie, because who wouldn't love to enter someone's mansion and take all their pretty stuff just because, i dare you, who?

Image and video hosting by TinyPic Image and video hosting by TinyPic
 Image and video hosting by TinyPic Image and video hosting by TinyPic

9/23/13

Next destination: Prada Marfa

If i ever made a road trip across the US (obvious destination Las Vegas), an obligatory stop would be Michael Elmgreem's and Ingar Dragset's Prada Marfa installation.

Located in West Texas (just off U.S. Route 90 and about 60km northwest of the city Marfa), the retail "shop" is not really a shop at all but rather an "pop architectural land art project" that is now making headlines because nearly after 8 years since its opening in 2005, the Texas Department of Transportation is trying to shut it down for some "illegal outdoor advertising sign" bullshit, the display of a Prada logo on land where that is prohibited. But despite the obvious advertising to the fashion brand, the artists' intention with this installation was meant as "a critique of the luxury goods industry, to put a shop in the middle of the desert."

It's not know yet if the permanent installation will be finally removed or not, but for me it would be such a shame as i really do want to go there and see it with my very own eyes, because i think the idea is simply genius. It's totally iconic and something Andy Warhol would have done today if he was still alive. So let's chain ourselves to the Prada Marfa installation in the name of art and fashion and let us admire the beauty of fashion irony.


sources: huffpost, wiki & nytimes

9/20/13

Searching for Sugar Man (2012).

I heard quite a lot about this documentary, this year's Academy Award winner, and even though i knew the whole story before watching (don't get spoiled by browsing info about it), i absolutely adored it.

The documentary is based on the research two South Africans did about music legend Rodriguez and his mysterious death. Rodriguez was big in South Africa in the 60s, but despite making music in the US, noone knew about him there. And that's everything you should know before watching. It is a really amazing story, quite surreal, and totally emotive, and one of the things i liked best, without giving away too much, is that it teaches you a lesson of acceptance, of not having remorse or being spiteful, and that's among other things, the greatness of the figure of Rodriguez. Also, his songs were amazing, it's quite surprising to see how back in the day he was depicted as the next best thing since Bob Dylan by music producers, but he didn't  have any success with his two albums in the US. So, i'm posting a few of the songs i like best from him, such a nice discovery, and make sure to watch this documentary because it's really something else. More songs after the cut:

"Cause the sweetest kiss I ever got, it's the one I never tasted"

9/13/13

10 years of 'Lost in Translation'.

Image and video hosting by TinyPic

And 10 years being my favourite movie. It is something irrational having a favorite something, you know it's not the best thing out there but still it is your fave, it's close to your heart and there isn't any other one that comes even close. I've had some other favorites in my life, depending on the age, like 'Gone with the Wind' when i was really little, or 'Labyrinth' later but it's been quite a while since 'Lost in Translation' has been my #1.

I remember going to the cinema to watch it with a friend on a hangover Sunday, we didn't know what it was about or anything, just that people were saying it was "good", and i remember that we both of us left the cinema thinking, "Nothing really happened". But it sure did. Next weekend, when we met again, we had a very different opinion about the movie, during the week, the film stuck in our heads, thinking about it and reflecting on it nonstop. By a few days, we understood everything. And that's how it became my favourite movie to date.

In 10 years i think i've watched it less than 10 times, i don't want to watch it way too many times in case it loses its charm, or what makes it special, so i only allow myself to watch it when i'm feeling really sad or down, because this movie always, always, makes me feel a lot better. Because in a way, Sofia Coppola's movie is about hope, about finding someone else who gives us that little push we need to carry on with life when everything seems hopeless and meaningless. And i think the ending is all about that. In a way, i think all of us have in mind our very own idea of what Bob whispers to Charlotte in the ending scene, and that's something precious as well, our very own closure of the movie.

I also like the late film critic Roger Ebert's take on the ending scene, because is also beautiful and really accurate:

So much has been written about those few words at the end that Bob whispers into Charlottes' ear. We can't hear them. They seem meaningful for both of them. Coppola said she didn't know. It wasn't scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of "The Conversation" would be proud of it, but it's entirely irrelevant. Those words weren't for our ears. Coppola (1) didn't write the dialog, (2) didn't intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn't a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.

As i've already posted my fave pictures of the movie in the Films of SC post, below there's a deleted scene i wish it had been included, because it explains how lost and lonely the character of Charlotte really feels, and the whole point of the movie, how even with something like a robot, that couldn't possibly make her feel more isolated in a city like Tokyo, she really is.



Image and video hosting by TinyPic
“Let’s never come here again because it will never be as much fun.”


9/11/13

Alia Wang, street style star since she was 3

If i already made a post about the style of Marion and Tabitha Broderick, Sarah Jessica Parker's twins, how could i resist dedicating a post about mini It girl Alia Wang? In case you don't know, she's Alexander Wang's niece and not only she does get to attend his shows on the New York Fashion Week since 2011 (she was only 3 back then), but also rocks a super cool style with Wang's finest pieces and also from other designers, and she's the cutest thing. Cutest and such a trend-setter, she's even rocking rubberizzed slip-ons!

So, i'm posting a few of her coolest and most memorable outfits, just because. And then again, SURI WHO?



9/4/13

The real love story behind 'Before Sunrise'.


I'm aware i haven't discussed 'Before Midnight' here, mainly because i didn't like it as much as i expected. I thought it was different from the two previous movies, not as special, but maybe that's the point, that when a relationship so platonic becomes real, it looses part of its magic. Anyway, i didn't want to talk about it because i feel like i need to watch it again and maybe my opinion on it would change, but still, i wanted to leave here, the most precious thing about this love story.

It turns out, that there's something real about Jesse and Céline and director Richar Linklater has just revealed it. The story is really charming but heartbreaking, so i'm posting the whole article. It is really worth reading if you love these movies, the love story behind all:

If you stick around through the closing credits of 'Before Midnight', the latest film in the trilogy that also includes 'Before Sunrise' and 'Before Sunset', you’ll see that the movie is dedicated to someone whose name even the most die-hard fans have never heard before: Amy Lehrhaupt. Almost 25 years ago, Lehrhaupt met a young man named Richard Linklater and spent a night with him that he never forgot. Their encounter inspired Linklater to conceive and direct 'Before Sunrise', the first film in the series. She never saw it, though; unbeknownst to Linklater, by the time that movie came out, Lehrhaupt was dead.

 [...] Linklater met Lehrhaupt in fall 1989, when he was visiting his sister in Philadelphia. He was 29 and had just finished shooting 'Slacker', and was staying there for one night while passing through on the way home from New York. Lehrhaupt was several years younger, about 20. They met in a toy shop, and ended up spending the whole night together, "from midnight until six in the morning," "walking around, flirting, doing things you would never do now." As in 'Before Sunrise', most of what they did was talk, "about art, science, film, the gamut."  Did they kiss? Yes. Did they have sex? The Times went so far as to ask Linklater in a recent interview, but he said he wants to "leave a little mystery."  

Even in the midst of that romantic night, the filmmaker in Linklater couldn’t help but consider its cinematic possibilities. In a 2004 interview with the New York Times, he remembered "walking around [thinking], 'If I could capture this feeling I'm having right now,' instead of actually having that feeling." On a recent episode of the podcast The Q&A with Jeff Goldsmith, he recalled mentioning the movie idea to Lehrhaupt that night: 
Even as that experience was going on … I was like, “I’m gonna make a film about this.” And she was like, “What ‘this’? What’re you talking about?” And I was like, “Just this. This feeling. This thing that’s going on between us.” 

But as the night came to an end, the paths of Linklater and Lehrhaupt began to diverge from the fictional storyline of Jesse (Ethan Hawke) and Céline (Julie Delpy). In fact, on The Q&A, Linklater revealed that the ending of 'Before Sunrise' was in part a response to what happened with him and Lehrhaupt. Unlike Jesse and Céline, who agree to reconvene in six months, the real-life young lovers exchanged numbers and tried to keep in touch while they were away. They called each other a few times, but it was “that long distance thing” that did them in. “It sort of did the fizzle,” he says, “So in the first movie that was a thing, the idea that they would intellectually kind of get beyond that and say ‘Well, we’re on different continents. What are the odds that it’s gonna work. Let’s just commit to this night.’”

Linklater soon became involved with another woman, who “swept into [his] life ... and took over for about a year or so,” and he and Lehrhaupt never talked again. He did think that maybe "she would show up at a Before Sunrise screening or something. "In 'Before Sunset', Céline shows up at a reading of Jesse’s book This Time, which is based on their night together. "It would be so weird," he said, in 2004. But she never did. 

Linklater didn’t know then that Lehrhaupt had died in a motorcycle accident on May 9, 1994, before she reached her 25th birthday. 'Before Sunrise' started filming a few weeks later. Linklater only learned of her death three years ago, when a friend of Lehrhaupt’s, who knew about the encounter, put it together and sent him a letter. "It was very sad," Linklater told the Times. Ethan Hawke was similarly devastated when he heard it, though he reminded Linklater that if he hadn’t met her, then he never would have made these movies or met some of the people who worked on them with him. "Who knows how we reverberate through each other's lives," Linklater reflected in another interview, “But she’s an inspiration on this.” 

In this way, Linklater did find another way to make that feeling, that "thing in the air" they once had between them, last: He turned it into cinema.



source: slate